Turandot

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Synopsis

First part

Act 1:

A SQUARE BEFORE THE PALACE OF TURANDOT IN PEKING
A mandarin tells the crowd of the decree according to which Princess Turandot will marry the man, who, born of royal blood, succeeds in solving the three riddles which she puts to him. Anyone who fails is decapitated. The Prince of Persia, like so many before him, has not been able to find the solution to these riddles. He will therefore be executed. The guards endeavour to keep back the overexcited throng and in the crush an old man is thrown to the ground and would be trampled underfoot if it were not for the young girl who is accompanying him, who manages to protect him. A young man cornes forward to help them and recognises the old man as his father, Timur, the dethroned Tartar king. Calaf then hears how Timur has fled his country and owes his salvation to Liù, a slave girl, who has devoted herself to him through love for the prince, who once smiled upon her. Ali three decide to continue to remain in hiding. 

The bloody rite cannot be accomplished before the moon rises. As it does the crowd becomes elated and the victim appears. The prince is so young and so handsome that the mood of populace changes and they beg for mercy. Turandot appears, silences thecrowd with a gesture and orders the execution. This brief vision is enough for Calaf to fall hopelessly in love. Despite Timur's entreaties, he advances towards the gong which must be sounded three times to announce that a new prince is ready to face the test. The three ministers, Ping, Pang and Pong remind him of the vanity of love and the sweetness of life. Liù reminds him with humility of her love for him, but nothing can persuade him. Calaf rushes upon the gong and it sounds the fatal three times.
 

Act 2:

FIRST SCENE: THE KITCHEN IN THE PALACE
Ping, Pang and Pong are making the symbolic preparation with the two possible hypotheses in view: a wedding or another execution. They evoke Turandot's riddles and her victims in a half-tragic, half-comic tone. They start to dream of a happy outcome, of Turandot in love at last, and of a return of peace to the country.
 

SECOND SCENE: THE TOMB OF LO-OU-LING
The Emperor, Turandot's father, tries to dissuade Calaf and expresses the aversion he feels for these repeated sacrifices. But Calaf is unbending. Turandot then appears. She explains at length the reasons for the bloody practice: a female ancestor of hers was once abducted and raped by a foreign prince, who devastated the realm. It is to avenge herself that Turandot has sworn never to love, never to give herself to a man and to see all those who try to conquer her perish. She exhorts the unknown prince to withdraw. Calaf refuses. Turandot then poses the first riddle: « In the darkness ofthe night, a phantom spreads his wings over humanity. All invoke him, ail implore him. 

But the phantom disappears with the dawn to be reborn in the hearts of men. Each night, he is born, and each day he dies ». Calaf finds the answer: « Hope ». This answer is confirmed by the sages who hold the rolls of truth. Turandot then pronounces the second riddle: « lt quivers like a flame, but it is not a flame. Sometimes ardent, sometimes languid, it turns cold when one dies but flares up when one dreams of conquest ». Calaf hesitates, then finds the answer: « Blood». The sages give their confirmation. Turandot is troubled and the crowd rejoices. The princess pronounces the last riddle: « What is the ice that inflames you, but becomes icier still before your flame? ». 

Calaf would seem to be lost and Turandot exults, but the prince takes a grip of himself and gives the third answer: « Turandot ». The crowd is mad with joy, but Turandot begs her father to free her from her oath and not to deliver her up to the unknown prince. The Emperor is unbending, but Calaf himself cornes to the princess's aid. He proposes a single riddle: to discover who he is before dawn. If she can discover the answer, he will die,otherwise, she will be his.

Second part

Act 3:

FIRST SCENE: THE PEOPLE'S QUARTER
No one can sleep this night. Across the city can be heard the echo of the proclamations made in the name of the princess, who is seeking to discover the identity of the unknown prince. Ping, Pang and Pong inform Calaf that torture and terror reign. The three ministers try to drag his secret out of him. 

Timur and Liù are brought in. They have been seen speaking with the prince and are suspected of complicity. The old man is ill-treated, but Liù affirms that she alone knows the secret. The two women confront each other. Manhandled and tortured, Liù keeps her secret and replies to Turandot, who asks her from where she derives her strength, « from love». The young slave girl assures the princess that one day she too will be moved by love, then, seizing a dagger, she kills herself, so as to be sure not to betray Calaf.
 

SECOND SCENE: A ROOM IN THE PALACE
Calaf throws himself at Turandot. The princess's resistance gradually weakens. Calaf, who is now sure of victory, reveals his name to her just before the breaking of the dawn. He thus puts his life in Turandot's hands. She calls for the people to assemble. The crowd awaits Turandot's announcement. She declares that she knows the name of the stranger: « his name is Love ». The crowd breaks out into a jubilant chorus, celebrating the power of love...

CHARACTERS

Turandot: Princess of China
Altoum: Emperor of China, her father
Timur: Exiled king of Tartary
Calaf: The “unknown prince”, his son
Liù: Slave girl, Timur’s guide
Ping: Grand Chancellor of China
Pang: Grand Master of provisions
Pong: Grand Master of the Imperial kitchens  

Program and cast

Opera in three acts and five scenes (1926)

After Carlo Gozzi La Fiaba cinese teatrale tragicomica

Language : Italian

Surtitle : French / English

Duration : 2h40 with 1 interval

First part: 80 min

Intermission: 30 min

Second part: 50 min

Creative team

Giacomo Puccini: Music(1858 -1924)

Giuseppe Adami: Libretto

Renato Simoni: Libretto

Eun Sun Kim: Conductor

Alessandro Di Stefano: Chorus master

Robert Wilson: Director, set and lighting design

Nicola Panzer: Co-stage director

Stephanie Engeln: Set design

Jacques Reynaud: Costume design

Manu Halligan: Make-up

John Torres: Lighting design

Tomek Jeziorski: Video

José Enrique Macián: Dramaturgy

Cast

Elza van den Heever: Turandot(27 Nov. > 12 Dec.)

Anna Pirozzi: Turandot(15 > 27 Dec.)

Yusif Eyvazov: Calaf

Adriana Gonzalez: Liù(27 Nov. > 12 Dec.)

Gabriella Reyes: Liù(15 > 27 Dec.)

Carlo Bosi: Altoum

Alexander Tsymbalyuk: Timur

Biagio Pizzuti: Ping

Bergsvein Toverud: Pang

Manase Latu: Pong

Christian Rodrigue Moungoungou: Un mandarino

Taesung Lee: Il Principe di Persia

Liliana Faraon: Due ancelle

Isabelle Wnorowska-Pluchart: Due ancelle

The Paris Opera Orchestra and Chorus
ADO / Paris Opera's Youth Choir
A coproduction with the Teatro Real, Madrid, the Lithuanian national Opera and Ballet, Vilnius, the Canadian Opera Company, Toronto, the Houston Grand Opera, Houston