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© Francois de Maleissye / Cappellla Mediterranea
Cappella Mediterranea
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 December 2027 | ||||||
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On the threshold of the Renaissance and the early Baroque, Monteverdi’s L’Orfeo heralds the birth of opera. Leonardo García-Alarcón’s interpretation enchants with its theatrical flair and the virtuosity of his vocal and instrumental forces.
Program and cast
PROGRAM
Musique de Claudio Monteverdi
Livret d'Alessandro Striggio
DISTRIBUTION
Cappella Mediterranea
Chœur de chambre de Namur
Leonardo García-Alarcón , conducting
Valerio Contaldo , Orfeo
Mariana Flores , Musica/Euridice
Giuseppina Bridelli , Messagiera
Anna Reinhold , Speranza/Proserpina
Edward Grint , Plutone
Salvo Vitale , Caronte
Alessandro Giangrande , Pastore/Apollo
Matteo Bellotto , Pastore
Nicholas Scott , Pastore/Spirito/Ecco
Leandro Marziotte , Pastore
Estelle Lefort , Ninfa
Philippe Favette , Spirito
Philharmonie de Paris
Grande salle Pierre Boulez - Philharmonie
The Grande salle Pierre Boulez (Symphonic Hall) boasts innovations in architecture, stage design and acoustical engineering. Thanks to a modular design, its capacity increases from 2400 people in the symphonic configuration to 3600 when the parterre is converted into a standing room area.
All five levels of the Grande salle Pierre Boulez are accessed via the entrance on Level 3 of Philharmonie, which can be reached via stairways, escalators and two lifts, with direct access from the Porte de Pantin plaza and the Philharmonie parking facility.
From the entrance, stairways and lifts inside the hall take visitors to the various levels.
The Grande Salle Pierre Boulez has thirty designated seats for people with reduced mobility.
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