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Rodelinda tickets

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Rodelinda

Venue: Théâtre des Champs-Élysées

 
15 Avenue Montaigne
75008 Paris
France
 
 
All dates
Season 2018
 

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Next performance (see season calendar above for other dates)
Rodelinda
Mon 10 December 2018
CAT 1
Hour Hall Price Tickets Buy
20:00 Théâtre des Champs-Élysées 85 € Add to cart
 
 
 
Event details
 

Synopsis

 

Act 1

Alone, Rodelinda mourns the loss of her husband. Grimoaldo enters and proposes marriage to her; he offers her the throne back, and confesses his love for her. She angrily rejects him.(Aria:"L'empio rigor del fato".) Eduige tells Grimoaldo that he has become treacherous now that he is king; he answers that he is treacherous for the sake of justice, referring to the fact that she so often refused to marry him and now he, at Garibaldo's instigation, is rejecting her. With Grimoaldo gone, the scheming Garibaldo, who has previously professed to love Eduige, offers to bring her Grimoaldo's head. She declines, but swears that she will be revenged eventually.(Aria:"Lo farò, diro: spietato"). Alone, Garibaldo details his plan to use Eduige to help him take the throne for himself.(Aria:"Di cupido impiego i vanni.")

Meanwhile, Bertarido reads the inscription on his own memorial.(Aria:"Dove sei, amato bene?") Along with Unulfo, he watches from hiding as Rodelinda and Flavio lay flowers at the memorial. Garibaldo enters and offers Rodelinda an ultimatum; either she agrees to marry Grimoaldo or Flavio will be killed. Rodelinda agrees, but warns Garibaldo that she will use his head as a step to the throne. Bertarido, still watching, takes Rodelinda's decision as an act of infidelity. Grimoaldo tells Garibaldo not to worry about Rodelinda's threat; under the king's protection, what does he have to fear? Unulfo, meanwhile, tries to comfort Bertarido, but Bertarido is unconvinced.

 

Act 2

Garibaldo, as part of his plan to take the throne, tells Eduige that it appears she has lost her chance to become queen, and encourages her to take revenge on Grimoaldo. Eduige then turns her bitterness on Rodelinda, pointing out Rodelinda's sudden decision to betray her husband's memory and marry his usurper. Rodelinda reminds Eduige of who's queen. Eduige again vows vengeance on Grimoaldo, though it is clear she still loves him. Eduige departs and Grimoaldo enters, asking Rodelinda if it is true that she's agreed to marry him. She assures him that it is true, but that she has one condition: Grimoaldo must first kill Flavio in front of her. Grimoaldo, horrified, refuses. Once Rodelinda departs, Garibaldo encourages Grimoaldo to carry out the murder and take Rodelinda as his wife, but Grimoaldo again refuses. He says that Rodelinda's act of courage and determination has made him love her all the more, though he has lost all hope of ever winning her over. Unulfo asks Garibaldo how he could give a king such appalling advice, and Garibaldo expounds his Macchiavellian perspective on the use of power. Bertarido, meanwhile, has approached the palace grounds in disguise, where Eduige recognizes him. She agrees to tell Rodelinda that her husband is still alive. Rodelinda and Bertarido meet in secret, but are discovered by an outraged Grimoaldo. He doesn't recognize Bertarido, but vows to kill him anyway, whether he be Rodelinda's real husband or just her lover. The spouses, before being separated again, bid each other a last farewell. (Duet: ""Io t'abbraccio".)

 

Act 3

Unulfo and Eduige make a plan to release Bertarido from prison; they'll smuggle him a weapon and the key to the secret passage that runs under the palace. Grimoaldo, meanwhile, is having a crisis of conscience over the impending execution. Bertarido, in his cell, receives his package. Unulfo, who is allowed access to the prison in an official capacity, comes to release Bertarido. Bertarido, however, can't recognize Unulfo in the darkness, and mistakenly wounds him with the sword. Unulfo shrugs the injury off, and the two leave. Eduige and Rodelinda, meanwhile, have come to visit Bertarido. Finding the cell empty and blood on the floor, they despair of his life. Grimoaldo is still struggling with conscience and flees to the palace garden, hoping to find a peaceful spot where he can finally fall asleep; even shepherds, he laments, can find rest under trees and bushes, but he, a king, can find no rest anywhere.(Aria:"Pastorello d'un povero armento".) He finally falls asleep, but Garibaldo finds him and decides to take advantage of the situation. He is about to kill Grimoaldo with his own sword when Bertarido enters and kills Garibaldo. Grimoaldo, however, he spares.(Aria:""Vivi, tiranno!") Grimoaldo gladly gives up all claim to the throne and turns to Eduige, telling her that they shall wed and rule together in his own duchy. Reunited at last, the family rejoices.

 
Program details
 

Jeanine de Bique, Rodelinda
Tim Mead, Bertarido
Benjamin Hulett, Grimoaldo
Romina Basso, Eduige
Andrea Mastroni, Garibaldo
Paul-Antoine Benos-Djian, Unulfo


Emmanuelle Haïm, management
The Astrée Concert


Opera sung in Italian, surtitled in French

 
Venue
 
Théâtre des Champs-Élysées
 

The Théâtre des Champs- Elysées is undoubtedly one of the finest venues in Paris . Built in 1913 , it has the distinction of having been designed by a group of artists architects Henry Van de Velde and Auguste Perret , the painter and sculptor Antoine Bourdelle , the painter Maurice Denis , and the crystal- René Lalique to do mention the main ones . He was the first Parisian theater to be built entirely of reinforced concrete.

 

Restoration of the Great Hall devoted to operatic performances , symphony concerts and dance was decided in 1985. Two years later , on 23 September 1987, the theater reopened its doors , completely renovated. Fifteen years after this important work it was decided to undertake a new renovation campaign , but to prevent the complete closure of the theater for an entire season , work is now carried by step during the summer . Then it is to replace aging equipment , to remedy wear certain parts of the theater and improve spectator comfort and artists during their visit . Thus in recent years, including the work involved the renovation of marble facade, replacing the carpet in the room with wooden floors , installation of a new fully decorated wooden concert to a significant improvement of acoustics, the orchestra pit and stage below .

 

The Théâtre des Champs- Elysées is now a modern working tool receiving each year nearly 300,000 spectators and a few thousands of artists and collaborators.

 

The Théâtre des Champs- Elysées , the jewel of French architecture of the twentieth century, was in 1953 one of the first buildings of contemporary architectural heritage to be classified as historic monuments . Since 1970 the Caisse des Dépôts owns the entire building 15 avenue Montaigne and principal patron of the theater.

 

For over a century, Théâtre des Champs-Elysées has been the place where the most celebrated artists have come to make their names in Paris. The world’s finest orchestras and world-class soloists have always been a fixture at the Theatre. Théâtre des Champs-Elysées presents more than 200 concerts each year and is renowned for its outstanding performances of all genres, from classical music concerts and staged opera to contemporary dance and jazz.

 

How to reach us:
 

Subway: Alma-Marceau (line 9), Franklin D.Roosevelt (line 1), Pont de l’Alma (RER line C)

Bus: n° 42, 63, 72, 80, 92
Taxi station: Place de l’Alma, corner of avenue George V
Car park: Alma George V. The entrance is in front of n° 19, avenue George V
Fixed rate depending on the length of the performance. Payment upon entering.

 
 
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